Alexander Feklistov graduated from the Moscow Art Theatre School in 1982, and worked for the Moscow Art Theatre for twelve years. He went onto create the 5th Moscow Art Theatre Studio. He is currently playing Caliban in Cheek by Jowl’s Russian production of The Tempest.
Why did you decide to become an actor?
I became an actor because of the mystery that lives in theatre. From my early childhood I wanted to know: what’s behind there? Behind Uncle Tom’s cabin.
What early theatrical experience can you remember having an impact on you?
I cannot forget Anatoly Efros’s Cherry Orchard. It was performed by great actors Alla Demidova and Vladimir Visotskiy and the action took place on a cemetery. Nothing I saw afterwards in my whole life has touched me as deeply, and it astonished me how this production of The Tempest affected me in a similar way.
Caliban has been performed in many ways onstage: a woman, punk rocker, and Rastafarian. What made you choose to play Caliban the way you do?
Caliban is a child, but he was abandoned and not brought up properly. You feel sorry for him, he can be very irritating, and it’s a very Russian part.
Shakespeare has been performed in Russian to Hindi. What is it to you that makes Shakespeare translate well into all cultures?
I think Shakespeare can be played in any language, but we’re only trying to do it justice. We enjoy his poetry, his verse, but once we start talking about the interpretation of the plays we never have the same viewpoint.
What would you say to a young person to encourage them to see this play?
I think it’s a very simple and honest production, simple but not simplified, and it has huge potential in it. We as actors are trying to catch up with the form of it and it’s never boring.
The Tempest at the Barbican runs from 7 April till 16 April.